Sian Gledhill

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Biography

 

PREVIOUS EXHIBITIONS

2015

"Conversations", Aren't - The Alternative Guide to the National Gallery, www.arent.guide

"Shipping Forecast" / "Omnibus", Radiophrenia 2015, Radio and Online, radiophrenia.scot

2014

"Sound Mirror", Folkestone Fringe 2014, Folkestone

"So Lonely", Embassy Gallery, Edinburgh

2013

"Offline Print Fair", Embassy Tea Gallery, London

"Neither Here Nor There", Morden Hall Park, Morden, London

2012

"The Quiet and the Still", Transmission Arts,  Free103point9 Online Radio, USA

"Multiplied Art Fair 2012", Christie's South Kensington, London

"Boat Radio",  Transmission Commission, Folkstone Fringe

"L.H.O.O.Q.E.R.II",  The Queen Charlotte, Ramsgate, Kent

"Show RCA 2012",  Royal College of Art, London

"Second Show",  Café Gallery, Southwark Park, London

2011

"A Future Pump House: Ideas, Thoughts and Plans",  Pump House Gallery, Battersea

"If Not Now TV",  www.ifnotnow.rca.ac.uk

"Art: Free For All",  Alexandra Palace, London

"RCA Interim Show",  Royal College of Art, London

"First Show",  Café Gallery, Southwark Park, London

"RCA Secret",  Royal College of Art, London

2010

"RCA Secret",  Royal College of Art, London

2009

"Urban Wildlife",  Queens Wood, London

"Good News",  Alexandra Palace, London

2008

"Take A Walk In The Park",  Queens Wood, London

"Tidy Art",  Alexandra Palace, London

 

PUBLICATIONS

"Casual Ties",  RCA Printmaking Box Set, 2012

"23 Components For A Book",  RCA Printmaking Publication, 2012

 

EDUCATION

MA Fine Art Printmaking

Royal College of Art, London, 2010 - 2012

BA Hons Fine Art

Middlesex University, London, 2000 - 2003

Foundation in Art and Design

Middlesex University, London, 1999 - 2000

 

Using items of nostalgia, ephemera or personal archives I stage the re-encountering of the familiar. I am interested in the defunct, the obsolete and redundant forms of storytelling. By retracing and reanimating a lost moment in time I seek to open up new dialogues with a place and its history.

Through performance and film I conduct playful interventions. Evoking the style of moving postcards, the works are a slow meditation on an image. Anonymous and oblique, often the work does not exist until the sound and image come together, inferring new narratives and associations around the ‘thought’.

 

 

     
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